The narrative structure – a complete technical daring – combines three levels: the meeting at a bar table between a loquacious young man and his former high school teacher, to whom the incidents of the tragic Saturday night are relat; the useless walk of two shadowy characters along a road, who, surpris, follow the adventures of a golden beetle that pushes its ball of excrement following a route perhaps as absurd as their own; the narrator’s reflection, impregnat with pessimism, about such a strange insect interspers with mitations on human nature.
Devour Others Without
It is an experimental novel: the interweaving of texts escapes the conventional linearity of traditional narrative, and the plot is dilut in the middle of these three narrative registers that, link by the presence of death, translate the emptiness of existence. human nature, the turbulent political situation of that time, and the author’s social criticism of the deep social business database fractures of our country. Manuel Scorza was one of the few who prais the narrative adventure that Reynoso undertook through the pages of this novel. With respect to the works publish in recent years, perhaps it can be said that they no longer reach the heights reach by his creative work until 1970 and which shone once again in 1995 with The Immortal Eunuchs .
Mercy Finally Paul Rounds
A finding that, if made – it almost goes without saying – leaves intact the enormous value of Reynoso as a creator and does not ruce one iota the significance of those works that the power of his writing produc until the mid-90s, and that have went on to constitute without a shadow of a doubt a fundamental milestone in USA CFO the path follow by 20th century fictional prose in our country. Relentless, just over a month ago, on May 24, death took him. Mia in which he was never grant a space when he liv fill him with epithets, highlighting, in the face of the irruption of the irreparable, the enormous meaning of his legacy.