A professor train at the Enrique Guzmán y Valle National University of ucation, La Cantuta, he began his forays into literature at a very young age, as he us to mention when journalistic investigations inquir about his beginnings. And he did so shelter from the books that were hous in the well-stock family library and those others that were hous in the library of Arequipa, the city in which he was born in 1931, and to which they arriv, from Argentina, via the train from the port of Mollendo, in careful itions, the works of fundamental authors of literary parnassus.
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The first fruit of his love affair with literature was a book of poems, Luzbel , releas in 1955. He never return to poetry, although his narrative is strongly impregnat b2b leads with lyrical nuances. After this inaugural spark would come, six years later, The Innocents , a set of stories that would shake the national literary mia, and in whose prologue no less than Arguas would express words of enthusiastic acceptance of an innovative style of writing in which he saw ” (…) to popular jargon and high poetry, reinforcing, illuminating (
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October There Are No Miracles, and in 1970, The Beetle and the Man . Twenty-three years would pass until Reynoso dar to publish again. In 1993, he publish In Search of Aladdin , a short novel in which the narrator engages in the fruitless search for a “morality USA CFO of the skin” (Reynoso, 2014a, p. 10), a search that remains alive even in a book like The enjoyment of the skin , a story articulat in three movements, publish much later, in 2005, and in which from the epigraph you can read: “Despises the heart that does not love the skin.