And in 1995, in The Immortal Eunuchs – a novel in which Reynoso, as he had already done in his other works, exhibits a refin narrative technique – he would condense his twelve-year life experience in Den Xiaoping’s China, developing a story in an autobiographical key. on the background of the infamous Tian’anmen Square events in 1989. Starting in 2005, and intermittently until 2014, he would publish again. The aforemention The Joy of Skin , The Three Seasons , In Search of the Found Smile , The Hen Rooster , and Arequipa,
Poorest Businesses Tend to
Incandescent Lamp were releas . The Innocents mark a turning point in Peruvian literature. In these stories, the neighborhood, the collera, and the language of the corner business email list with its marginal characters, the evict from an unequal society, take center stage . This work, despite the reactions of the official prudery of the time, is the one that would inaugurate the route that the so-call urban narrative would begin to take since then. With the stories perpetrat there, an aesthetic emerg that put in the foreground the sordid vein of a fragment society,
Be Cannibalistic Spaces
Incorporating a narrative record impregnat with the voices, the turns and the bristling sensitivity of the inhabitants of the popular neighborhoods – a mosaic of poor immigrants USA CFO and people of the fallen middle class – with all that this implies: the bustling urban layout, the decadent atmosphere of the popular bars, the transgressive rebellion catalyz by poverty and social crisis, and the presence of the most stark and sexual effervescence.